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Which passage from the Article best supports the idea that Douglas Miles has helped develop a skater culture on the San Carlos Apache Reservation?

Which passage from the Article best supports the idea that Douglas Miles has helped develop a skater culture on the San Carlos Apache Reservation?
A. His company, Apache Skateboards, first got rolling when he painted the deck of a skateboard for his son. The strong, striking design featured traditional tribal symbols, an Apache warrior with a sword and shield.
B. That’s why he opened the Apache Agency Skate Shop. It’s a social hub for skaters on the reservation. The shop organizes skate competitions and concerts. It also sponsors a team of talented skaters who travel around giving skating demonstrations.
C. Skateboarding is paving the way for a new generation of Native American leaders. Tomorrow’s movers and shakers are polishing their ollies. They’re finetuning their kickflips and tackling new tricks. And they’re also learning valuable lessons about courage and not giving up.
D. San Carlos Apache Reservation in Arizona is another place where kids know a nollie from an ollie or a walle. This rez is home to a thriving skatepark. It’s also where Douglas Miles lives. He’s an acclaimed San Carlos Apache-Akimel O’odham artist who’s well known for his distinctive painted skateboards.




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  1. The best passage that supports the idea that Douglas Miles has helped develop a skater culture on the San Carlos Apache Reservation is:

    B. “That’s why he opened the Apache Agency Skate Shop. It’s a social hub for skaters on the reservation. The shop organizes skate competitions and concerts. It also sponsors a team of talented skaters who travel around giving skating demonstrations.”

    Explanation: This passage highlights how Douglas Miles has created a community space for skaters through his skate shop, emphasizing his role in fostering a skater culture by organizing events and supporting local talent. It shows active engagement in promoting skateboarding as part of the community’s identity.

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